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Crowded House — Now Were Getting Somewhere

Now We’re Getting Somewhere
(N. Finn)

NOTES:
— Chords in Intro should be damped with heel of hand. when verse starts,
Go ahead and let them sustain.
— The lead-in to the second verse is also used during the rideout section
When Neil’s not soloing (starting with «When you took me to your room …»).
INTRO: C#m F#m G#7
C#m
It never used to be that bad
F#m G#7
But neither was it great
C#m
Somewhere in the middle than
F#m G#7
Content and much too safe
E
Ooh tell me please
Bsus B
Why it takes so long
C#m F#m B
To realize when there’s something wrong
CHORUS
E A
Lay me out with your heart
B
Now we’re gettin’ somewhere
E A
Push me back to the start
B
Now we’re gettin’ somewhere
E A
Take me out let me breathe
B
Now we’re gettin’ somewhere
E A
When I’m with you I don’t care
B
Where it is I’m falling
Lead-in to second verse:
—————————
—————————
—2——2——2——2—-
—————————
-2———0—2———0—
——0>2———-0>2——
There’s money in the Bible Belt
Hugs for daddy too
Three wishes for eternity
We’ve got some work to do
Ooh tell me please, tell me what went wrong
Cos I believe there is something wrong
CHORUS
1st SOLO: (Entire solo, including first and second endings is repeated;
Chords underneath are: C#m F#m G#7)
______________
| 1.
———————————————|————-||
—5—5—7—7—9—9—9—9—10—10—10—10-|—9—9—7—7-||
6—6—8—8—9—9—9—9—11—11—11—11—-|9—9—8—8—||
———————————————|————-||
———————————————|————-||
———————————————|————-||
_____________________
|2.
———————||
—13—13—13—13-||
13—13—13—13—-||
———————||
———————||
———————||
E A
When you took me to your room
B
I swear I said surrender
E A
When you opened up your mouth
B
I saw the words fall out
E A
Though nothing much has changed
B
I swear I will surrender
E A B
There is pain in my heart
E A B
We can choose what we choose to believe
2nd SOLO: (Solo is repeated; Chords underneath are: E A B)
2>>>7——2-2-2——7—5-4—2-2-2-||
4>>>9——4-5-4——9—5-5—4-5-4-||
4>>>9——4-4-4——9—6-6—4-4-4-||
————————————||
————————————||
————————————||
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

(Transcription by Mark Schnitzius & Marck Bailey)

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